If it is Wednesday, then it is time for Avenues and Poetry
Godly
Foibles, In Fresco Of Silence
Abandoned
And
befallen – gods of no-land
Trespass
the moon
So
black
In
a fresco of deep silence
Like
a solo drop
Of
dusk – as godly foibles
As
if dying
In
lowly fables
Shredded
And
so camouflaged,
Nocturnal
truth
Of
infernal desires speaking afar
At
a remove
From
the earthly soil
Thus spoke
The
spell of oracular lies
As
the gods fumbled
In
celestial fuss to reverberate
In
teardrop shadows
-
unfettering hundreds of lives
From
the fiasco
Of
unholy war as lowly
As
godly disdain
Forbidden
far from the heaven
Thus,
As
the fresco of silence
Smacking
- of an epic delusion
Dies
a demise
Of
godly death, forthwith
And
the fiasco ends there
In
godly foibles
And
in godly disdain...
As
god dies
A
demise of oracular truths, as if
A
non sequitar…
In
a fresco of silence.
***
Glass
Onion: Like Dying of Not One’s Own Tears and Pains
Evolving
And revolving
Tears
Break out
In words -
And in a shell
Of war
As if
Flowers
do create
Flirty
words
To
recreate a war
Spirally
To
pursue the woolen silence
In
a facsimile
Of
your womb's cry
To
defoliate
The
burdens of child-bearing
In
a leafy foliage
Like
in
A
dragging spiral
Of
glass onion
You
revolve and evolve,
To
degenerate -
In
a famished world
Breaking
apart
Around
you and for you
To
part with
Your
long testament
As
so written
Inside
you, outside you
What you do
Is
what you conceive
To
be deceived
Lonely
by your world
Of
famished womb
To
evolve
In
a brewing nutshell
Of
glass onion
Taking
and talking
***
A Philosopher Who Will Not Undress His Biased Panting
I say, "you, the bikini bower
had
aborted the long fever with the troubled philosopher,
from
the beginning to the end he eloped you
with
the idea of etching a chiaroscuro that never meets the end
to
write off the Socratic paradox
in
a singly drawn excalibur that keeps the lid off the paradigm
Shifting
from one begging point to another, so often..."
You say, "who will undress
his
biased panting, bubbles of freedom
to
stop the lotus-eaters to argue?
where
is that gullible cockatoo to herald the dawn
of
thousand mannequins shopdressing
in
the harem of logics and logistics to fanfare
the
beauty of ugliness, of malice
in
pornography of parallax as there is no one
to
sever me from the poetics of sophism..."
The philosopher as if troubled
by
the flesh of nihilism that freedom dares not
to
cross the Rubicon - says nothing so
to
harshly put down - his crown of glory
brandishing
his scimitar of solipsism to scare the scarecrow
in
an abiding bid to conquer the Plato's republic
as
if in a whispering power of hegemony...
***
A few years ago,
Kamaruzzaman briefly shared some of his background:
"Actually I am from a
very mediaeval village in West Bengal (India) and was brought up in a very conservative
economic and cultural ambienc and just to earn a decent living, I had to give
up my formal education in science before reaching my goal. Years back, I edited
a polemical journal DWANDWIK (The Dialectics,) but once my conscience awakened
me to the questions like what for I am doing it or whom for I am doing it, I
stopped it along with my writing habit. All at once and plunged myself with all
my existence and essence into the void of nihilism. Yes, I am out and a
Nihilist. After opting out from my banking service I started writing again
starting with the philosophy of Socrates who is my pet philosopher. Now I am
fully engaged in translating Latin American literature. A few books have
already been published and a few more will get out soon. I have a special
fascination for writing poetry in my native language Bengali and in English as
well. Reading my poetry one can feel conspicuous touch of nihilism and
surrealism. Odd it may sound, I don't believe in any sect of "-isms"
and even in the progress of civilization of humankind. Yes, it's a doom's day
philosophy of sorts."
Submissions are now open for postings starting in July. Share your original poem with our global readership!
*****
Want to see your published or unpublished poem on the “Avenue?” Read on.
While society likes to pigeon-hole
cultural celebrations almost exclusively to certain months, the approach at aaduna is to permeate diversity,
multi-culturalism, and creative ideas throughout what we do. (Ok, we do sneak in genres on pre-ordained days
and times but we do it longer than a specific month!) Our plan is to present 1-2 poems and corresponding
brief poet bio (no more than 3 sentences,) and photo on Wednesdays throughout
2018. We will present an original poem/poet
[maybe two] that has been previously published or never published! No
review process. No editing. Your work posted as you intend. Copyright retained by the poet. Commercial
use of the poem by aaduna is prohibited. First come-first served. Rolling submissions period guaranteed.
Submissions are now open for postings starting in July. Share your original poem with our global readership!
Here is the small
print:
Poem
must be submitted as a Word.doc, Times New Roman, 12 font size, single spacing,
complete publishing credit if previously published, work presented as you want
it posted. Poems will be archived by the
date posted on the blog so it will be available whenever you or others need to
access your work. Send full contact data
on the submitter, poem, bio (no more than 3 sentences,) photo (focused and
clear selfies are OK.) to info@aaduna.org – put Avenues in the Subject box.
Submitter will be advised in advance when the poem is scheduled for posting.
_____________________________
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