We are reminded…
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Now, as April 2020 is infected by the worldwide
ravages of COVID-19, creatives in various artistic genres have stepped to the
“plate” with live streams, Facebook chats, blog postings, YouTube videos,
commercial-free TV specials and “words” exclaimed in online and print
periodicals to help us weather this unexpected health threat.
While it has been an American tradition since
1996, April remains National Poetry Month in the United States. Introduced by
the Academy of American Poets, this April tradition has become global in its
impact and generated continuous appreciation of poetry in all its diverse
iterations no matter where the poet calls home.
National Poetry Month April 2020 Official Poster |
It is with gracious appreciation that aaduna’s
National Poetry Month festivities are kicked-off by two poets whose works are
grounded in the complexities, dynamic simplicities, and intricacies of human
emotions and life experiences. Please welcome
Michael Jennings and
Rachael Ikins.
Michael
Jennings was born in the French Quarter of
New Orleans and grew up in east Texas and the deserts of southwestern Iran
before attending the University of Pennsylvania as an undergraduate and
Syracuse University as a graduate Fellow. He is the author of 10 books of
poetry, most recently Crossings: A Record of Travel, winner of the 2016
CNY Book Award for Poetry. In 2017, Michael won a national audio contest for
poetry called The Miller Audio Contest at The Missouri Review He is also
a world-renowned breeder and judge of Siberian Huskies, and author of three
books on the breed. He lived for over 36 years with his wife and muse, poet
Suzanne Shane, and several of their Siberians on a hill overlooking Otisco Lake
in upstate New York. Since 1993 Michael has been a member of the faculty at
Cayuga Community College, State University of New York and his work has been
translated into Czech, Lithuanian and Chinese.
These two poems penned
by Jennings will appear in the September 2020 release of THE MOON'S CHILDREN
by Kelsay Books:
Remains
My son guides me up the long hill
squelching in run-off, along trailsnarrow as goat paths through the trees
to show me the strewn bones of a deer
nested in her shed shreds of fur,
almost golden, where some wood spirit
laid her to rest, and the coyotes
5and crows stripped her, leaving only
a hoof and furred knuckle intact
5among a clutter of collapsed ribs.
He shows me the clean white vertebrae,
the pelvis with its odd eye hole,
the knee still attached with some last rope
of sinew.
This is his find, stumbled on
as he tried his new spring legs in a
downhill,
helter-skelter run, and stopped, and
stared,and in his eleven-year-old mind knew
that this was the stuff of running
undone, something the receding snow
left for him personally, a sign
of winter’s weight.
We eye it together.
We go down on our knees to gather pieces
of the witchcraft mystery. The gray trees
around us are also bones that click
and chatter in the wet wind
of almost spring. The brown limpid eyes
are gone. The crumbling gnarl
of spine, once nerved and tremulous,
is now only a train wreck the grass
will hide in a month’s time. We feel
the doorway of earth opening.
We feel the thinness of our skins
and the prickling of short hairs rising.
We know what’s at the bottom of things,
how soon the mayflies will be dancing
their measured reels of the evening.
His Mountain Gateway
—for Will HierAll day death hovered—
Coming through weeks of the gray of November—
Becoming the friend
Who would not last the year
And did not last the week.
The lake of his dreamBecame a fuming of crystals
And polished obsidian.
The cold deepened and the ice
whistled
And the lake thunderedAnd the scarred ice vanished
And the whitecaps foamed
Till spring became a reflection
Of olive placidity, browns Transforming to the delicate
Hairy greens
Of a thousand shades and nuances
Before the leaf-loaded abundance Of summer dreamed
Purple evenings etched in shadow,
His photographer’s eye
Honing beauty out of the hard edges Of weather, season
After season drawn on the lens.
And in the long view south
The mountain named for SongAt the gateway between two mountains
That told us we were home—
The gateway
Where I imagine him still—His farmer’s trudge—
Bull shoulders, dexterous hands—
Casting a warm
But slightly squint eyeOn life, on death,
And passing by.
* * *
Rachael Ikins [photo provided] |
Rachael Ikins, associate
editor, Clare Songbirds Publishing House situated in Auburn, New York [https://www.claresongbirdspub.com/shop/featured-authors/rachael-ikins/]
is a 2020 NLAPW Biennial Letters Competition 3rd
prize recipient in the Children’s category; 2019 Vinnie Ream &
Faulkner poetry finalist; 2018 Independent Book Award
winner in Poetry; 2016 and 2018 Pushcart Prize nominee; 2013 and 2018
Central New York Book Award nominee. She is author/illustrator of nine
books in multiple genres and resides in Baldwinsville, New York.
Evening Sky, Clouds and
Constellations Rising
Blue/white zebra bares his belly,
gallops toward night. Sun, his eye.
Western sky purples. Wolf
chases. Spangled hackles silver. Zebra snorts his fear, caught on a silver
hook-
one thousand meteors showering.
* * *
Intimations of Spring
Spring exhalation,
a sinuous snake flowing in
window-crack, licks lips
tasting air. House sighs.
scents; book pages,
asphalt, and jump ropes.
Peepers’ fragile flame,
sound, reedy.
Swamp heats rot’s perfume,
a lip-smacking drool.
Sickle moon swells.
Cardinal cheers
single scarlet notes,
bleed into blue.
Collect in that silver bowl-
Spring overflows.
* * *
C
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elebrate National Poetry Month by sharing the blog postings to your social media platforms and encourage your social networks to visit this blog every day in April. Ask them to experience the intriguing words of that poet and then share that person's work to social media platforms. With this gesture, everyone can support each poet’s work and broaden her/his name recognition throughout the world.
You are graciously invited to continue to celebrate National Poetry Month even in a time of crisis.
With poetry, as well as your willingness to embrace other forms of artistic expressions and listen to the factual guidance of effective political leaders, we, as one global community, will be triumphant over this current cloud of darkness and foreboding. So, in closing...
Jennings and Ikins… what a way to start the 2020 April National Poetry Month!
* * * * *
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